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There's something that I have been meaning to do for some time: run the length of Hadrian's Wall. Why, I hear you ask...because it's there, of course. Why else?
So today I could put it off no longer. I had tried, of course, but Stu had put the kybosh on any more pipe dreams, and somewhat reluctantly, I made my way to the start of the Wall. It's 84 miles long, I thought. What if it's biting off more than I can chew? I recalled the feeling when I put the first stitch on a particularly complex tapestry. 18 years on, it is still unfinished. Will it be like that?
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After ditching the car at Brough By Sands, I got on an empty bus to Bowness on Solway, the start of Hadrian's Wall. The milky blueness of the day had given way to a stern greyness. The bus driver must have left something on the stove at home, as he raced his only passenger there and whizzed back past like a rally driver.
The path wound through gorse bushes and out past Port Carlisle, with its vestiges of grandness in the middle of absolutely nowhere. After doglegging for a while, the path followed the long, straight, flat road along the mudflats where the Vallum, or ditch had been built.
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After having trouble settling in to the run, I started to listen to a podcast about Steve Prefontaine. This dangerously talented runner, whose life was cut short at the age of 24 or so, has absolutely nothing in common with me.
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So much so that he could have been a different species. Still, something had struck a chord. In his running, he found a way of expressing creativity. In each of his performances, unlike anyone I'd heard speak of their running, he saw that it was a creative process in the same way as art or music is. I may never achieve such a creative act with speed or performance, but in a small way, running over Hadrian's Wall to me, is one tiny grain of something close to this.